RWA Experience

The RWA experience is one you shouldn't miss if you are a romance writer, or a reader of any romance genre. The atmosphere is exhilerating, the workshops are inspiring, and the people are downright amazing. I had a fantastic time, both when I wore my author hat, and when I wore my editor hat. It was a bit chaotic doing both at one conference, but fun, and very much worth it. I've been to many conferences over the years, but this one was different, special. The atmosphere at RWA was more supportive and inspiring than any other I've ever been to. If you haven't attended the big RWA conference yet, you need to treat yourself and do so. The people that put it on are top notch and you can tell they really care about the writers, the readers, and the publishers (both big and small). 

I also want to send out a big thank you to everyone who pitched to me. It is true, I received my first elevator pitch from a brave author whom I encouraged to do so. Bravo to all of you who were brave enough to put yourselves out there and present your books~your babies. Many great connections have come out of RWA for me already, and I've offered on more than one book that was pitched to me there. The talent and passion of the writers in attendance blew me away. 

Time for RWA 2019!

Come see me, some of City Owl's other editors, and more importantly, several of our fantastic authors Thursday July 25th at the City Owl Press author signing at 8:30am to 9:30am. Here is a rough list of our authors in attendance: Sharon M. Johnston, Maryanne Fantalis, Lynda Locke, Luna Joya, Megan Starks (not signing, but she will have swag there!), Negeen Papehn Dardashti, Tina Moss, Yelena Casale, Willa Ramsey, Kerri Netherton, and more!

Also on Thursday I'll be at the Industry Marketplace at 2:00pm to 3:00pm in the Westside Ballroom, Salon 3, 5th Floor representing City Owl. I will be there to answer any questions you might have about City Owl, small presses, or just publishing in general. Come chat with me! 

On Friday at 1:00 PM to 2:00 PM, I will be taking pitches during the Speed Pitching event in the Lyceum Room along the south side of the Westside Ballroom on the 5th Floor. If you have a polished adult paranormal romance, urban fantasy romance, sci-fi romance, or fantasy (any of the sub-genres really) romance, come pitch to me! No need to be nervous, I am easy to chat with. Read through my likes, dislikes and wish list to make sure I'm right for you, and to get tips on what I love. 

Can't wait to meet you!

Pitching at RWA

Next month I'll be taking pitches at one of the biggest conventions for romance writers, readers, and publishers, RWA!

Almost all writers are nervous about pitching in person, but hopefully I can help alleviate some of that. Just remember, we are people too, and we want to like your work, but if we don't, it isn't the end of the world. Here are some tips to make a great first impression:

Before the conference: Try your pitch out on people. Pitch it to your significant other, your friends, family, even your cat or dog. Get it down to where you know it and can rattle it off at any given time.

Choose who to pitch ahead of time and have backups in case their line is really long. BUT, make sure the editors and agents you are going to pitch to accept the genre of your book, otherwise you are just going to get a pass. Do your research!

At the Conference:

Be passionate about your book, but be able to get to the heart of the story in under three minutes. Have a great hook sentence that lays out the problem, stakes, and solution. Or, to put it another way, hook them with an interesting sentence (not a run-on one, think Twitter pitch length).

Then give a short paragraph or two that highlights the really interesting parts of your story (much like a query letter). You want to leave plenty of time for the editor to ask questions. An elevator pitch is between 1 and 3 minutes long and gives you time to introduce yourself, talk about your experience, awards, that kind of thing. To keep from rambling carry a notebook or note cards with your pitch written down. Try not to read off it unless you have to, but have it just in case. I do not mind if people read off their notes if it helps them.

Tips To Get You Ahead: If you're pitching me and are reading this before hand you are already several strides ahead of the game. Read through my wish list, read my expected manuscript lengths, know the submission requirements of City Owl. In other words, do your homework on those you plan to pitch to. I can't say this enough. And relax, especially if you're pitching me. I'm laid back and easy to talk to. I'll help walk you through it if you get stuck.

Personal Tips: 

• I do not like passive voice (overuse of was, were, that kind of thing). If you use this too much in your manuscript, it is not for me. A little is unavoidable, but too much is not good. 
• I do not like info dump, telling, and back story that isn't worked in well and sparingly (and preferably after the first five pages or later. Later is better). 
• I'm an editor, not an agent. I am not there to 'represent' your book, I'm there to consider publishing it. Not the same thing. Not by far. 
• When at the conference, you do NOT need an agent to pitch to me, or later to sign with me. Several of the authors I have signed don't have agents, several do. At events such as this, I am open to unsolicited (unagented) work. 
• I like good pacing with a healthy dose of action. 
• I'm partial to third person past tense. First person past tense is alright too. Present tense makes me twitchy. It isn't an instant no, but it had better be amazingly well done so that I hardly even notice it. Have cards on hand to give to me!

What NOT to do: Don't pitch to someone randomly outside of pitch sessions unless they ask about your book. If they ask about your book, that's an invitation to pitch so rattle off that elevator pitch. No means no. Don't push or argue the point. It will not help matters. In fact, it could hurt them, severely. Don't bring gimmicks, drawings, or reviews from friends or family who have read your manuscript. Your work will speak for itself, and if it can't, well, then it can't, and that says enough.

If you are attending RWA and your work matches something on my wish list, come see me in the Lyceum Room along the south side of West Side ballroom on the 5th floor!

What a Good Pitch Shows

A good one-sentence pitch is useful in many ways other than just pitch parties on Twitter. Creating one before you even finish your book can reveal weak points. And, if you can't effectively communicate what your book is about quickly and easily, it will be hard to get people interested in it. It should reveal three things about your manuscript:

• The Problem (the main conflict): This is often the catalyst, what propels the entire book into action. It's big, and it should be toward the beginning of the book. Big means something different for each book, protagonist, and often genre. Someone dies, is kidnapped, fired from their job, a relationship ends, etc.. 
• The Stakes (Obstacles): What is at stake for your character? What stands in your character's way? You shouldn't list it all out in a one-sentence pitch, just go for the main thing.  
• The Solution (the journey): What has to happen for your character to overcome the obstacles in their way and obtain their goal? What type of journey must they make, or things must they do.

It can look like this (but doesn't have to follow it exactly): When The Problem happens to Your Character, they risk The Stakes, if they don't The Solution. 

If you write this before finishing your book, you'll be surprised at how much it will help you hone in on the things that matter most, and keep you moving toward that end goal. Happy writing and pitching!